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Biblical sciences and artistic creation: the example and testimony of a collaborator

1 July 2019

Michel Petrossian, a composer in great demand throughout the world, kindly invited us to talk about his links with our research programme, on the occasion of a portrait devoted to him by *Le monde de la Bible*.

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Our scroll presents the best results of our research in an innovative interface.
In this Beta version, It offers new translations of the main versions of the Scriptures, accompanied by rich multimedia content.

Access the scroll

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This internet platform is a comprehensive tool for researching, studying and reading the Bible.

Access to the collaborative platform

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Bibleart mobile application will offer a new French translation of the entire Bible enriched with thousands of multimedia contents, resulting from the work of our specialists.

Go to BibleArt

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Summer 2018 sessions

Summer 2018 sessions

11 November 2018

Summer School with Boston College This was a first for the École Biblique. Last June, we welcomed around fifteen students from Boston College, Boston University and Boston Hellenic College, for a three-week “Summer school”. While Łukasz Popko led archaeological visits throughout the country, prof. Eugen Pentiuc taught on the Old Testament, the New Testament lessons, […]
Fr Łukasz Popko, between BEST and BHQ

Fr Łukasz Popko, between BEST and BHQ

12 May 2023

At present, the main edition of the Hebrew text that serves as the basis for study and modern translations is Biblia Hebraica Stuttgartensia, BHS. Because Stuttgartensia is the fourth critical edition, the new edition bears the Latin name “quinta”, i.e. the fifth; Biblia Hebraica Quinta,  BHQ.  For the last two years, the director of the éditorial committee of […]
CORPUS OF INSCRIPTIONS AND THE BIBLE IN ITS TRADITIONS

CORPUS OF INSCRIPTIONS AND THE BIBLE IN ITS TRADITIONS

27 January 2019

The Bible is omnipresent in medieval inscriptions, as it is in many other medieval writings. The visual and material dimension, as much as the verbal, of these texts engraved in stone, wood or metal, leads us to analyse “epigraphic exegesis” within the monumental or objectal framework of their supports, and more broadly as part of […]